Arthur Miller The Price Summary
Arthur Miller was born in New York City on October 17, 1915. His father, Isadore Miller, was prosperous as a shop owner and a manufacturer of women’s coats; however, he lost his fortune in the stock market crash of 1929. The young Miller was forced to work a number of odd jobs to support himself, including being a farm hand. The title too has a dual meaning - on the surface the price is the figure haggled over and agreed upon for the apartment's contents. The price is also a fact of life according to Arthur Miller. Whatever you do, whatever trade-offs you make, there is always a 'price.' Victor sacrificed a promising career in science to support his father.
Born: October 17, 1915
New York, New York
American dramatist, novelist, and screenwriter
Arthur Miller The Price Script
Best known for his play Death of a Salesman, American playwright, novelist, and screenwriter Arthur Miller is considered one of the major dramatists of twentieth-century American theater.
Arthur Miller The Price Summary Analysis
Early years
Arthur Miller was born on October 17, 1915, in New York City, the second of Isidore and Augusta Barnett Miller's three children. His father had come to the United States from Austria-Hungary and ran a small coat-manufacturing business. His mother, a native of New York, had been a public school teacher.
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Miller returned to New York City to a variety of jobs, including writing for the Federal Theater Project, a government-sponsored program that ended before any of his work could be produced. Because of an old football injury, he was rejected for military service, but he was hired to tour army camps to collect material for a movie, The Story of G. I. Joe. His notes from these tours were published as Situation Normal (1944). That same year the Broadway production of his play The Man Who Had All the Luck opened, closing after four performances. In 1945 his novel Focus, an attack on anti-Semitism (the hatred of Jewish people), appeared.
Three successful plays
Miller's career blossomed with the opening of All My Sons on Broadway in 1947. The play, a tragedy (a drama having a sad conclusion), won three prizes and fascinated audiences across the country. Then Death of a Salesman (1949) brought Miller the Pulitzer Prize for drama, international fame, and an estimated income of two million dollars. The words of its hero, Willy Loman, have been heard in at least seventeen languages as well as on movie screens everywhere.
By the time of Miller's third Broadway play, The Crucible (1953), audiences were ready to accept his belief that 'a poetic drama rooted in American speech and manners' was the only way to produce a tragedy out of the common man's life. The play was set in Salem, Massachusetts, in 1692, a time when many people were accused of being witches and were burned alive. Miller's play pointed out how similar those events were to Senator Joseph McCarthy's (1909–1957) investigations of anti-American activities during the early 1950s, which led to wild accusations against many public figures. Miller himself was called before the House Committee on Un-American Activities in June 1956 and was asked to give the names of guilty parties. He stated, 'My conscience will not permit me to use the name of another person and bring trouble to him.' He was convicted of contempt of (lack of respect for) Congress, but the conviction was reversed in 1958.
Hit-or-miss efforts
Two of Miller's one-act plays, A View from the Bridge and A Memory of Two Mondays (1955), were social dramas focused on the inner life of working men; neither had the power of Death of a Salesman. Nor did his film script, The Misfits (1961). His next play, After the Fall (1964), was based on his own life. His second wife, actress Marilyn Monroe (1926–1962), was the model for one of the characters. Incident at Vichy (1965), a long, one-act play based on a true story set in France during World War II (1939–45; when Germany, Italy, and Japan battled France, Great Britain, the Soviet Union, and the United States), examined the nature of guilt and the depth of human hatred. In The Price (1968) Miller returned to domestic drama in his portrayal of a tight, intense struggle between two brothers, almost strangers to each other, brought together by their father's death. It is Miller at the height of his powers, cementing his position as a major American dramatist.
But The Price proved to be Miller's last major Broadway success. His next work, The Creation of the World and Other Business, was a series of comic sketches first produced on Broadway in 1972. It closed after only twenty performances. All of Miller's works after that premiered outside of New York. Miller staged the musical Up From Paradise (1974) at the University of Michigan. Another play, The Archbishop's Ceiling, was presented in 1977 at the Kennedy Center in Washington, D.C.
In the 1980s Miller produced a number of short pieces. The American Clock was based on Studs Terkel's (1912–) history of the Great Depression (a slump in the country's system of producing, distributing, and using goods and services that led to almost half of the industrial workers in the country losing their jobs during the 1930s). Elegy for a Lady and Some Kind of Story were two one-act plays that were staged together in 1982. Miller's Danger, Memory! was composed of the short pieces I Can't Remember Anything and Clara. All of these later plays have been regarded by critics as minor works. In the mid-1990s Miller adapted The Crucible for a film version starring Daniel Day-Lewis and Joan Allen.
Later years
Despite the absence of any major successes since the mid-1960s, Miller seems secure in his reputation as a major figure in American drama. In addition to his Pulitzer Prize in 1949, his awards include the Theatre Guild National Prize, 1944; Antoinette Perry (Tony) Award (given for achievement in the theater), 1947 and 1953; Emmy Award (given for achievement in television broadcasting), 1967; George Foster Peabody Award, 1981; John F. Kennedy Award for Lifetime Achievement, 1984; Dorothy and Lillian Gish Prize, 1999; National Book Foundation lifetime achievement award, 2001; New York City College Alumni Association medal for artistic devotion to New York, 2001; and the Japan Art Association lifetime achievement award, 2001.
For More Information
Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. New York: Cambridge University Press, 1982.
Glassman, Bruce. Arthur Miller. Englewood Cliffs, NJ: Silver Burdett Press, 1990.
Miller, Arthur. Timebends: A Life. New York: Grove Press, 1987. Reprint, New York: Penguin Books, 1995.
Schlueter, June, and James K. Flanagan. Arthur Miller. New York: Ungar, 1987.
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▼Tags ▼LibraryThing Recommendations None Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. Showing 3 of 3 The price or the value--what is most important to learn. The play occurs as one son who has given up his dreams to be a scientist stays home, resentfully, to take care of his father while his brother becomes a successful surgeon on the other coast. After the death of the father, Victor decides to sell the furniture and an 89year old dealer Gregory Solomon played by David Suchet arrives. Brendan Coyle (Mr. Bates in Downton) plays the successful son (but he was not on stage when I saw it in April with the Shakespeare Tour group) but he arrives just as the deal is about to be completed. Suchet's role makes the play! ( ) flashflood42 | Jun 14, 2019 | Is it still a spoiler alert when the book is 50 years old? Spoiler Alert! I can’t comprehend why the average rating for this play is so low! This is easily a solid four star or higher if the reader is good with visualization and even higher when viewed if this play is properly produced and acted with all the antiques on stage. Set in “Today” which is roughly 1968 as the play was published then, two brothers meet again after being estranged for 16 years, when their father died. Their family’s old building (now owned by their uncle) is being demolished, and the fifty-year-old younger brother Victor is arranging to have their parents’ old furniture and belongings sold. The stage is filled with luxurious items of the bygone Roaring 20’s. Act One addresses primarily the wheeling and dealing between Victor, a straight-shooter policeman, who just wants to know “The Price” that the antique/furniture dealer, Solomon, is willing to offer him. Solomon, at age 89, is negotiating to maximize this last score as his final hurrah. Much of Victor and his wife Esther’s present situation is revealed. Act One ends with the older brother, Walter, a successful surgeon walking in as Solomon was handing over the money after having finalized on the Price. Act Two focuses on the baggage of the family history, with Victor and Walter revealing the weighty past, traumatized by the Great Depression. The helpless Solomon tries to savage his deal; Esther attempts to dampen the deep anger that Victor carries toward Walter while securing the best financial outcome for her family. The conclusion is unknown until the last moments – regarding both the relationship of the brothers and the deal of the family relics. I suspect some of the low ratings is driven by the ending which in these types of plays is often debatable. I for one think it’s legitimate. In this formidable play that covered a mere hour or two, Miller addressed multiple themes that remain relevant even today, 50 years later. Life Decisions and the Sandwich Generation: This topic is the crux of the story. The family wealth has collapsed. Walter was hell bent on finishing his medical degree, “come hell or highwater”. Victor pitied father, leaving college, to join the police force supporting father and his young family, always sacrificing in favor of father along the way. Victor feels Walter abandoned the family, but turns out Walter knew more about father that he couldn’t say then, resulting in brother against brother, with the surprising agitator being the father. The Great Depression and its demoralizing effects: The father was humiliated after losing it all, never leaving the house, not taking inferior job, not taking welfare either – the curse of pride. The paralyzing effects of a ‘lifetime’ failure can leave a person to live a frozen life, as the father did, and even worse alienating his sons from each and other, just to protect himself. Aging: As much as the 89-year-old dealer wants that last amazing transaction, what he wanted more is to be relevant, to have a reason to get out of bed, to have something to do. Securing the deal represented more than the opportunity of money, it was his identity at stake. Career and Climbing the Ladder: Walter, in his quest to be the best, sacrificed aspects of his life. Possibly, he is compensating his family’s financial failures without realizing his choices. “…You start out wanting to be the best, and there’s no question that you do need a certain fanaticism; there’s so much to know and so little time. Until you’ve eliminated everything extraneous – he smiles – including people… You become an instrument, an instrument that cuts money out of people, or fame out of the world. And it finally makes you stupid. Power can do that…” Material Goods: The luxurious furniture is no longer wanted by the kids, not befitting the ‘current’ lifestyle. I was surprised to read what I view as the current Ikea lifestyle was already in place 50 years ago. “There is a rich heaviness, something almost Germanic, about the furniture, a weight of time upon the bulging fronts and curving chests marshalled against the walls. The room is monstrously crowded and dens, and it is difficult to decide if the stuff is impressive or merely over-heavy and ugly.” Retail Therapy: The world has become more materialistic over the years. These words are spot-on. “What is the key word today? Disposable. The more you can throw it away the more it’s beautiful. The car, the furniture, the wife, the children – everything has to be disposable. Because you see the main thing today is – shopping. Years ago a person, he was unhappy, didn’t know what to do with himself – he’d go to church, start a revolution – something. Today you’re unhappy? Can’t figure it out? What is the salvation? Go shopping.” ( ) varwenea | Aug 21, 2018 | This play was well written and is interesting to read to find out what was the siblings' grudges and rivalry. Each had their own and different perception of their father especially after their fathers downfall during the Great Depression. One brother strove to become a successful doctor and the other put aside his dream in science and became a policeman and took care of his father. Was this a case of morality or conscience? This question and the choices and perceptions of each brother can serve as a classroom discussion and lesson. ( ) lvelazqu2000 | May 21, 2008 | Showing 3 of 3 ▼Published reviews Is contained inBest American Plays: 7th Series, 1967-1973 by Clive Barnes Collected Plays by Arthur Miller(indirect) Miller Plays 2: The Misfits / After the Fall / Incident at Vichy / The Price / The Creation of the World and Other Business / Playing for Time by Arthur Miller ▼Common Knowledge
References to this work on external resources. Wikipedia in EnglishNone 'Arthur Miller's deeply moving drama reunites two long estranged middle - aged brothers. Nostalgia and recrimination erupt as they sell of an attic full of furniture, their last link to a family and a world that no longer exist.' -- container. No library descriptions found. ▼LibraryThing members' description
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